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Автор Том Роббинс

Tom Robbins

Jitterbug Perfume

FOR DONNA AND THE WATER MUSIC

And for those whose letters I still

haven't answered.

The distinctive human problem from time immemorial has been the need to spiritualize human life, to lift it onto a special immortal plane, beyond the cycles of life and death that characterize all other organisms.

— ERNEST BECKER

The history of civilization is the story of man's emancipation from a lot that was harsh, brutish, and short. Every step of that upward climb to a sophisticated way of life has been paralleled by a corresponding advance in the art of perfumery.

— ERIC MAPLE

Rage, rage against the dying of the light.

— DYLAN THOMAS

(And) always smell as nice as possible.

— LYNDA BARRY

~ ~ ~

The author is grateful to his agent and friend, Phoebe Larmore; to his intrepid editor, Alan Rinzler; to Laren Elizabeth Stover, who passed him fragrance-industry secrets in lipsticked envelopes; and to Jessica Maxwell, whose ancestor once owned a perfume shop in New Orleans, and who traded him that shop for a flying conch shell.

TODAY'S SPECIAL

THE BEET IS THE MOST INTENSE of vegetables. The radish, admittedly, is more feverish, but the fire of the radish is a cold fire, the fire of discontent not of passion. Tomatoes are lusty enough, yet there runs through tomatoes an undercurrent of frivolity. Beets are deadly serious.

Slavic peoples get their physical characteristics from potatoes, their smoldering inquietude from radishes, their seriousness from beets.

The beet is the melancholy vegetable, the one most willing to suffer. You can't squeeze blood out of a turnip. .

The beet is the murderer returned to the scene of the crime. The beet is what happens when the cherry finishes with the carrot. The beet is the ancient ancestor of the autumn moon, bearded, buried, all but fossilized; the dark green sails of the grounded moon-boat stitched with veins of primordial plasma; the kite string that once connected the moon to the Earth now a muddy whisker drilling desperately for rubies.

The beet was Rasputin's favorite vegetable. You could see it in his eyes.

In Europe there is grown widely a large beet they call the mangel-wurzel. Perhaps it is mangel-wurzel that we see in Rasputin. Certainly there is mangel-wurzel in the music of Wagner, although it is another composer whose name begins, B-e-e-t—.

Of course, there are white beets, beets that ooze sugar water instead of blood, but it is the red beet with which we are concerned; the variety that blushes and swells like a hemorrhoid, a hemorrhoid for which there is no cure. (Actually, there is one remedy: commission a potter to make you a ceramic asshole — and when you aren't sitting on it, you can use it as a bowl for borscht. )

An old Ukrainian proverb warns, “A tale that begins with a beet will end with the devil. ”

That is a risk we have to take.

SEATTLE

PRISCILLA LIVED IN A STUDIO APARTMENT. It was called a “studio” apartment because art is supposed to be glamorous and landlords have a vested interest in making us believe that artists prefer to sleep in their workrooms. Real artists almost never live in studio apartments. There isn't enough space, and the light is all wrong. Clerks live in studio apartments. File clerks, shop clerks, law clerks, community college students, elderly widows, and unmarried waitresses such as Priscilla.