JUDITH FLANDERS
How the Victorians Revelled in Death and
Detection and Invented Modern Crime
CONTENTS
‘The funeral of the murdered Mr. and Mrs. Marr and infant son’, broadside of c. 1811.
‘The public Exhibition of the Body of Williams’, from
‘The pond in the garden, into which Mr. Weare was first thrown’, from
‘Execution of William Corder at Bury, August 11 1828’, from
‘Elegiac Lines on the Tragical Murder of Poor Daft Jamie’, broadside of 1829.
‘New’ policeman, from a song-sheet c. 1830.
‘Apprehension of the Murderer of the Female whose Body was found in the Edgware Road in December last’, broadside of 1837.
‘Two sudden blows with a ragged stick and one with a heavy one’, illustration by William Harvey for ‘The Dream of Eugene Aram, The Murderer’ by Thomas Hood, 1831.
Playbill for Jim Myers’ Great American Circus at the Pavilion Theatre, June 1859, including
‘“Parties” for the gallows’,
‘Interior of the court-house, during the trial of Rush – examination of Eliza Chestney’, from the
‘See, dear, what a sweet doll Ma-a has made for me’,
‘Madame Tussaud her wax werkes: ye Chamber of Horrors!!’,
‘Execution of the Mannings’, broadside of 1849.
‘The Telegraph Office’, from The Progress of Crime: or, Authentic Memoirs of Marie Manning by Robert Huish, 1849. (© The British Library Board. All rights reserved 2011)
‘Awful Murder of Lord William Russell, MP’, broadside of 1840. (Bodleian Library, University of Oxford: John Johnson Collection/JJ Broadsides: Murder & Executions Folder 10[29])