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Автор Том Шарп

BLOTT ON THE LANDSCAPE

By

TOM SHARPE

Copyright © 1975

To Geoff Millard

Chapter 1

Sir Giles Lynchwood, Member of Parliament for South Worfordshire, sat in his study and lit a cigar. Outside his window tulips and primroses bloomed, a thrush pecked at the lawn and the sun shone down out of a cloudless sky. In the distance he could see the cliffs of the Cleene Gorge rising above the river.

But Sir Giles had no thoughts for the beauties of the landscape. His mind was occupied with other things; with money and Mrs Forthby and the disparity between things as they were and things as they might have been. Not that the view from his window was one of uninterrupted beauty. It held Lady Maud, and whatever else she might be, nobody in his right mind would ever have described her as beautiful. She was large and ponderous and possessed a shape that someone had once aptly called Rodinesque – certainly Sir Giles, viewing her as dispassionately as six years of marriage allowed, found her monumentally unattractive. Sir Giles was not particularly fussy about external appearances. His fortune had been made by recognizing potential advantage in unprepossessing properties and he could justly claim to have evicted more impecunious tenants than any other anonymous landlord in London. Maud’s appearance was the least of his marital problems. It was rather the cast of her mind, her outspoken self-assurance, that infuriated him.

That, and the fact that for once in his life he was lumbered with a wife he could not leave and a house he could not sell.

Maud was a Handyman and Handyman Hall had always been her family home. A vast rambling building with twenty bedrooms, a ballroom with a sprung floor, a plumbing system that held fascinations for industrial archaeologists but which kept Sir Giles awake at night, and a central heating system that had been designed to consume coke by the ton, and now seemed to gulp oil by the megagallon, Handyman Hall had been built in 1899 to make manifest in bricks, mortar and the more hideous furnishings of the period the fact that the Handyman family had arrived. Theirs had been a brief social season. Edward the Seventh had twice paid visits to the house, on each occasion seducing Mrs Handyman in the mistaken belief that she was a chambermaid (a result of the diffidence which left her speechless in the presence of Royalty). In recompense for this royal gaffe, and for services rendered, her husband Bulstrode was raised to the Peerage. From that brief moment of social acceptance the Handymans had sunk to their present obscurity. Borne to prominence on a tide of ale – Handyman Pale, Handyman Triple XXX, and Handyman West Country had been famous in their time – they had succumbed to a taste for brandy. The first Earl of Handyman had died, a suspicious husband and an understandably ardent republican, in time to achieve posthumous fame as the first cadaver to incur Lloyd George’s exorbitant death duties. He had been followed almost immediately by his eldest son Bartholomew, whose reaction to the taxman’s summons had been to drink himself to death on two bottles of his father’s Trois Six de Montpellier.